Essentials

Dynamic Range Compression in Audio: Shaping the Volume Dynamics of Sound

Dynamic range compression in audio—audio compression—reduces the dynamic range of an audio signal. The dynamic range is the difference between the quietest and loudest sounds. Audio compression is used in music production, vocal recordings, and broadcasting and helps to deliver a more consistent and enjoyable listening experience. When overdone, however, audio compression can result in…

Dynamic range in audio: What it is, How it Works, and Why it Matters

Dynamic range is the difference between the quietest and loudest sounds in an audio system without distortion. It indicates the amount of volume variation (dynamics) in audio. The larger the dynamic range, the more contrast you’ll hear between the quietest and loudest parts. Understanding dynamic range is important for audio production, acoustics, and audiology—it affects…

Types of Analog to Digital Converters (ADC) and How They Work

Analog-to-digital converters (ADC) are essential for bridging the analog and digital worlds and are used in a variety of applications. There are many types of ADC, each with its own history, merits, and limitations. And each has favored applications based on its strengths and weaknesses. In this article, we’ll look at the most widely used…

Coffee table with coffee cups and chopsticks arranged in a percentage formation

Total harmonic distortion plus noise (THD+N) is a common metric in audio interface specifications. It measures the unintended harmonics and noise in an output signal relative to an input signal. Audio interface THD+N specifications are often quoted as either percentages (%) or ratios (dB). In this article, we look at the difference between these expressions…

Picture showing distorted lines, as a depiction of harmonic distortion

Total harmonic distortion plus noise (THD+N) is a measure of the unintended harmonics and noise in the output signal of an audio device. It’s measured as the ratio of energy from the harmonics and noise relative to the energy from an input signal. Modern audio devices, such as audio interfaces, have relatively low levels of…

View of MIDI In, Out, and Thru ports

MIDI channels are communication pathways between MIDI devices. There are 16 MIDI channels available and each can be assigned to a different MIDI device. Channel assignments allow MIDI devices to be arranged in combinations so that each device responds only to the information intended for it. MIDI is a versatile way of recording notes, chords,…

View of MIDI ports on back of a keyboard MIDI controller

MIDI modes are settings that control the way that MIDI instruments communicate with each other. They are grouped by the characteristics of MIDI instruments—monophonic or polyphonic—and by MIDI channel assignments. There are four original MIDI modes and two additional modes that were developed for enhanced functionality. MIDI modes offer a versatile way of organizing MIDI…

A gramaphone sitting on a table which symbolises sound being made and traveling through air

dB SPL is a measure of sound pressure levels in air. It’s measured in dB and is a standardized way of comparing the sound pressure levels of different sound events. It’s widely used in the field of audiology, which deals with human hearing, and also in audio recording and listening applications. It can be translated…

Sound waves depicted in a digital audio workstation screen shot

The noise floor of an audio system is the minimum amount of noise that exists when there’s no signal present. In audio interfaces, the noise floor is primarily caused by the analog-to-digital (ADC) conversion process, the microphone pre-amps, and the inherent noise generated by electronic circuitry. The noise floor is an important factor in audio…

MIDI keyboard sitting on a table next to a laptop set up for MIDI music production

MIDI and digital audio are different ways of recording information about sound. MIDI is a set of instructions about how to generate a sound (using a MIDI device), whereas digital audio is a representation of an actual sound wave. They are both useful ways of producing and arranging music, and each has its own advantages…